The goats did not want to go out in the morning, Amanda Seyfried said. There was one in particular that was bothering him, a Seyfried was described as “God-knows-how-big-he-is-a-goat”. It was spoiling for a fight. It could not be moved.
So what did Seyfried do? He got into that goat shed, set his feet and pushed.
Of course, the goat pushed back. This is the thing about goats: they are stubborn. He also has horns, and the 34-year-old actress, Amanda Seyfried, does not.
It was frustrating. Was getting tired This too, to add to Seyfried, was utterly terrible.
And that is one of the primary reasons, who live in a farm in the Catskills, rather than some overpriced condo on the Seafried Sunset Strip: with one morning goat for your goats to just have the ability to put everything in perspective. “It’s crazy how skillful and successful I can feel here without being in a successful film,” she said.
Seyfred shared the farm with several chickens, wildly different sized horses, a donkey named Gus, those goats, her husband, Thomas Sadowski, and their two children. The last proved somehow the most surprising: During a week-long conversation on Zoom, Sefried wore no make-up and looked much larger than the showy detz she wore to “Mean Girls” (2004) or “Mamma Jia” Seen in the role of a bride singing! (2008). But she is now a mother, a farmer and for the first time in her career Important oscar contender.
In Netflix’s new drama “Manak” Seyfred plays as directed by David Fincher and due out on Netflix on Friday Marion davisThe 1920s and ’30s star is better known today as the mistress of newspaper promoter William Randolph Hearst. This is a relationship that would be imaginary for Orton Wells’s Roman A Cliff “Citizen Kane,” and “Manc” are the spectral process that screenwriter Herman Mankiewicz (Gary Oldman) reminisces about the years he spent partying at Hearst’s San Simeon estate, a shiny Shannery-La. Where Davis became a confidant with whom he could share. Gossip and Gin.
Seafred has just a few scenes in “Manc”, but she still carries on with the film, playing Davis as gratifyingly sly and self-aware, a no-air girl from Brooklyn, cast by Hartst. Has been discontinued. It is determined to get the most out of it. Davis drinks parties, drinks a lot and often says the wrong thing, but when you say the wrong thing in an upper-crusted circle, it means that you have told the truth to some rich men, and the girl is not helping it. Can.
When Marion is not onscreen, you wish she was, but seafried is not used to understand the deadlock: when to read rave reviews “Previously improved“(2018), in which she played the controversial pastor of a pregnant widow Bushing Ethan Hawke, Seyfried was just happy to receive an honorable mention. He has found that most of the time when critics take his name, it tells you in an ancestral who played the role of daughter or girlfriend. “Skating like this has been my experience, mostly,” she said.
The disposition of such disarmament comes naturally to Seyfried, whose big blue eyes become wider when he reminisces about making a “munk” but a little narrower whenever he self-assesses. is. He can’t help but wonder if the directors wrote him down after mainstream romantic dramas like “Dear john” or “letters to Juliet“(Both from 2010), and she often finds herself as” lazy “to play a version of herself in those films. It’s important to Seyfried that an audience likes her; she likes to be herself. Is working on
Despite her fair share of hits, Seyfried was still surprised when she recently ran into Quentin Tarantino at the airport and knew who she was. “Keep your expectations low,” he said to me, “and you’ll be pleasantly surprised.” The final fall, when his agent confessed that Fincher had “Mank,” Seifried had tears in his eyes for him. He said, “It is really nice to be respected by someone because you think he is just one kind of owner of his domain.”
In a phone interview, Fitcher compared Sefred to Cameron Diaz – a mainstream comedian who was always able to give more, even though he was rarely asked for it.
“We all knew that Amanda was luminescent, we all knew she was a beautiful woman, we all knew she was fun,” he said. “We all knew that she understood how to joke or joke, and we all know she could move on. I think what was ultimately surprising was the business nature of what How quickly she could grapple with those things, because it gives Marion this whole dimension. “
Fincher is famous for shooting dozens upon dozens of films, a process that can disappoint film stars who are used to crossing their lines and moving. Seyfried found his way a dream. He did not run away, he was not missed. Finally, she had room to see what she was made of. “It was my turn,” he said. “She was in, she was in.”
What is made Pursuit of acting in the first place? “I’m still sorting it out with my therapist,” she said. But she sees a lot for her 3-year-old daughter, Nina, who is creative, expressing herself and longing for affirmation. Becoming a mother often prompts Seafred to look back at the arch of his life, and from his vantage point in the Catskills, things now play out a little differently.
Allentown, Pa. After a happy childhood in, where his film-goers filmed scenes such as “naffaratu” on Laurel and Hardy comedies and classics, he shot film episodes of soap operas to commemorate his teenage years in New York City. The world changes “and” all my children. “Some actresses take credit for their first success forever. Seafred’s first film”Mean girls. “
It is still a pretty heady start for anyone trying to figure out what to do. All Seffried knew was that he loved meditation, loved to laugh, and loved making people feel something. And when she was younger, she was eager to use herself in every role.
Probably why she was successful so soon. Blessed with those big eyes and an intimate, immediate connection with the camera, it wasn’t hard for Seyfried to convince you that she was feeling something: she was, in fact, Actually Was. “I don’t think I’ve ever done anything that does me emotionally,” she said.
Her tendency to burn brightly and her lifelong eagerness to please her has sometimes made her an easy mark, she now knows. “If you don’t have boundaries, you’re screwed in this industry,” she said. “It’s a scary place for a young person, someone who doesn’t have a backbone – which I was. And I paid for it.”
When she was still a teenager, she reminded him of a job where the director asked her to appear on the screen almost naked. Without anyone else to advocate for her, she reluctantly agreed to take off her clothes.
“I’ve been placed in very crazy positions,” she said. “I was walking around with no panties and a T-shirt, and I didn’t want to be, yet I didn’t feel like I had any power to say, ‘No, it makes me uncomfortable.” (That will not be the name of the project.)
This is why at 22, Seyfried began looking at homes outside of Hollywood. As her career continued to heat up, she needed to push her boundaries, to remind herself that a set is not home, she House Is home Seven years ago, coming into rolesLes Miserables“And”Lovelace, “She was eventually found in the entire farm in Catskills and knew that she had been searching for a long time.
Her business manager demurred, but Seafred put her foot down: “I was like, ‘No, Mark! I’m telling you, this is where I’m gonna die.'”
Later, she met, married and moved to Sadosoki, and the children would eventually be added to the farm’s menjari, including a son born in September. Sittfried said that spending the last few years in the Catskills did not “make me stay out of the game; when I’m not working, I’ll be fresh by nature.” “Everyone needs a center of gravity. Somewhere to feel safe. “
Safety is a priority for Seyfried, and she wants it to be a priority for Hollywood as well. He was reminded of this over the summer during a controversial vote to confirm the new Screen Actors Guild contract. “There was a lot of horrors, and it was difficult to know where I stand,” he said. Seifried ultimately did not vote, as he felt the contract was not enough to protect actors who are shooting intimate scenes: “I really think so, this industry is not as safe as it wants to be is.”
Ten years ago, Seafried was too afraid to go against the grain, especially because her fellow cast members still voted heavily to confirm the contract. But taking a righteous stance can be a good thing: it means that you know yourself and your own priorities, and ultimately Seyfried thinks she does. No matter how his “munk” performance sparked this award season, whatever time he has spent on his farm this year has given Seafred the ability to see these things more clearly.
He said, “This film is definitely the best opportunity for my career, and it is changing my career for the better.” “But without it, I was just happy, because I made myself a place to feel accomplished in my world.”
Later, Seffried showed me a picture from the shed where he had his morning skirmish. I could see most of his goats circling the distance, but one held the lens properly, and was staring at the camera with wide eyes. It sounded stubborn as hell. It seemed that it would not be easily led. And I knew why Amanda Seafred loved fighting.