“Ascent” One is a film about friendship that has stood the test of time through some beautiful events.
Oh how strange life can imitate art.
I first spoke to the film’s co-writers and stars, best friends Michelangelo Covino (who also directed) and Kyle Marvin back at the Manhattan Hotel in March. “The Climb” was released later that same month, but Coronavirus canceled those plans.
While the film, which takes place over many years, is more about the friends who face frequent disasters of their own making, it is now interesting to watch and wonder how the characters have overcome the extra obstacle of an epidemic. Will be dealt.
After playing the Cannes, Toronto, Telluride and Sundance festivals before the epidemic, and that led to an eight-month moratorium, “The Climb,” Theaters have opened. I spoke with the duo again this month, via Zoom, about what happened to these friends, both 35, to make a film together and how their friendship and work got late. They were on the call in the same room together, to indicate.
Excerpts from both of those conversations are edited here.
How did you first get into business?
Michelangelo Kohino I graduated from Occidental College in Los Angeles, then tried to work in the film industry for a long time and struggled with the same. I started making my shorts, but eventually made my way into the production, directing and advertising industry of commercials. And that’s how I met this man.
Kyle Marvin I grew up outside of Portland, Ore., And have always been interested in art. I got married, had children and luckily got into advertising at that time. And then I quickly flashed to the glory of advertising, but created advertising and eventually started making films with Mike.
What were you making together for the first time?
COVINO We will shoot sketches.
Marvin When we were making advertisements and had access to a camera, we used to say, “Well, we’ve got six hours and a setup. Let’s shoot a sketch. “
How did you change in films?
COVINO We produced a few films over the years, leading us in making ourselves. With our commercial company, we will put money aside. We will invest that remaining money to make films with other filmmakers. It really got us familiar with how to make a feature film on a small budget. We produced a film “Hunter Gather” And one called “kick” “Stay in Touch” And “Babysitter.” They played at film festivals such as South by Southwest and Tribeca. It made us more in the film industry, meeting distributors and people who finance films. And it helped us understand the land more.
Your film begins with the revelation that one character is sleeping with another’s fiance. What is the biggest challenge for both of you in real life with your 10-year friendship?
Marvin Poverty. We had to ask each other, “Are you committed to this crazy thing called independent cinema, which is not an easy thing to maintain in your life?”
COVINO For me, it was easy because like it, I can turn peanut butter off, but Kyle has kids.
Have you ever dated the same woman?
COVINO not now. we will see. His wife is very quiet. [Laughs]
Marvin I got married because we know each other, so the opportunity has not presented itself.
COVINO The inspiration for this in the script was that I had a friend and an ex-girlfriend who ended up together. We had a long break, but it stuck with me as to the fact that I was upset, but had no right to be. And I had to do this process.
The betrayal in the film is such that many friendships did not survive. How did you reach that climax in the story?
Marvin I think we were really fascinated by the adult friendships and pressures that come to bear on them, especially those that we formed at a young age and a fundamental way with our identity Are connected to. So we wanted to say how far is the test of those people? And I think in many ways they test all the time.
Your characters move together in the film and in March, you were doing a press tour where you were riding a bike in each city, right?
Marvin Yes, it was real, we would ride bikes and we would arrive in a new city and Kovid’s measures increased everywhere.
COVINO And it was more like hand sanitizer in every newsroom we ran.
And have you been in regular contact since the epidemic started?
COVINO Yes, I found Kovid early and had antibodies. I felt more relaxed so I started going to LA to see Kyle and we would write there. And then if I were to live here in New York, he would go on to write for a big time together. We used to write even from a distance. But how are we going to write scripts when we’re trying to crack a story or come up with meat, I think it’s really helpful to us personally because you are going through it can talk.
Marvin There is an alchemy for human participation. I think screen-to-screen is hard to duplicate with all sorts of things.
And are you working on something together in New York?
COVINO Right now we are writing a couple of films. We have just completed one and now we are finishing another. And then we have two shows. We’ve written a pilot, and now we’ve got the next one to write. And then we are never writing again for the next three years. [Laughs]
Has the epidemic affected the type of scripts you write?
Marvin The things we’re always interested in are a bit more universal, so we have less desire to write a dystopian film. That way, we’re more like, even if you’re wearing masks at Christmas dinner, it’s still going to be very weird because that uncle, you know what I mean?