Hello, I am Aneesh Chowrangi, and I am the co-writer and director of Run. Okay, the scene that is going on right now is in the second act of the film. This is the basic setup, without giving away too much. So our daughter, played by the new Alan Kiara Allen, is locked in her room by her misguided mother, played by veteran Sarah Paulson, and is convinced she needs to escape. From the point of view of form, I think what you’re about to see is actually one of the few scenes that breaks the pattern of aesthetics of the film. Much of the genre of the film is borrowed from Hitchcock and Shyamalan’s films, and those films do not simply select shots because they may contain one thing. They made frames, for example, four or five things could be in them. So to borrow a page from his book, I manually opened every single frame of this film before I started shooting. You can actually compare the boards to the final film. It is all very similar. So right now, we are looking at Chloe, this super resourceful and smart and investigative girl who tries to get McGiver out of her room. Chloe uses a wheelchair, so a solution that a competent person may have come up with will not work for her. She only has to overcome it with pure intelligence, and she does. Each shot inside this room is repeated from the earlier shot in the film. I wanted to be super spare with the scenes in this film and always designed frames that could be repeated so that when things began to burst narratively, like right now, it would feel like a real catharsis. [MUSIC PLAYING] So it was all shot on a stage in Winnipeg. We basically made the entire second story of their house on one stage, and the first story and outside – what you are seeing now – is all e-location. So now we are trying to dive into the single most complex shooting process of the entire film, where this whole sequence is about sewing so many different skill sets and elements and shooting days in one. So she just comes to her roof. We are landing a set on a shot of Kiara on a set where the roof is really flat and the walls are tilted sideways. This one sounds pretty good – it’s hard to describe, but just the film magic makes that work. So the camera is just tilted. He is actually completely flat on the ground. We are just tilting her hair a little bit and sometimes blowing the wind to the side. And he is moving his face a little, and behind him like a blue screen. The next shot you’re going to see is going to be from the side, and it’s a stunt double. But it looks like Kiera because we have changed Kiera’s face to this. And this shot sort was actually the first shot we did on the day of shooting. And we had to shoot it from day one, because we shot in Winnipeg, Canada, which is the coldest place, like, and we had to shoot our exteriors before everything started snowing. We started shooting from 31 October 2018. By the way, the house was chosen because it felt like when we saw it that it looked like, like – you can put it on the poster of the film and drag it and put Sarah Paulson. Face on top of it, and it was just the vibes of this old school, Hitchcock home, so there’s more secrets inside it and stuff. This is a shot on the set, again, on this small mockup, the ceiling is made. This is another shot on the set. Apparently, we did not place Kiara on the actual terrace with danger. But this entire sequence, we shot for many, many days. And he still has a bunch of water in his mouth that he swallowed earlier. He plugs in a soldering iron, heats the soldering iron, and pours the soldering iron into this glass in the cold, where it immediately begins to crack, as heat is expanding it, And then immediately some water will spit out the glass, where it shatters the rest. This is actually a technique. One of my best friends is a glass blower, and taught me this over the phone. So this is the end of one of the film’s biggest sets, which honestly tries to do what we were trying to do with this whole film, which is a normal house and every single element of that house Largely transforms into Burj Khalifa. -Block barrier.
Tuesday, March 02, 2021